New York band The
Postelles are known for their summery tunes that uplift the spirits even when
their lyrics are more serious. For their recently released sophomore album …And It Shook Me, the indie rockers
channeled the Strokes rather than channeling the Beatles as they did in their
last album. Still, their songs remain catchy and easy to listen to, as their
soft retro rock transports listeners to happier times when rock and roll ruled
the airwaves.
The four-piece band met while its members were still
attending Columbia Grammar and Preparatory School in Manhattan, NY. Made up of Daniel
Balk (vocals and guitar), David Dargahi (lead guitar), John Speyer (bass), and
Billy Cadden (drums), the Postelles began playing small shows in 2007 and soon
caught the attention of the Strokes’ guitarist Albert Hammond, Jr. The laidback
retro vibe of the Postelles became popular in summer music festivals like
Bonnaroo and Lollapalooza in 2009, as they began to make a name for themselves.
In the spring of 2011, the Postelles headlined a U.S. tour with Free Energy,
combining two bands that expel a youthful liveliness with a touch of nostalgia
at their shows.
Hammond
would then come to produce the band’s self-titled debut album in 2011, which
proved to be a hit among college radio stations. The Postelles established the band’s sound as one reminiscent of Buddy
Holly songs with Beatlesque harmonies. For the new album, it seems that the
band has been influenced by their producer and fellow musician Albert Hammond,
Jr., as …And It Shook Me definitely
presents a resemblance to Hammond’s band the Strokes, while still paying homage
to the rock and roll era. It seems that the Postelles have decided to modernize
their sound a bit by experimenting with guest vocals and instruments in their
sophomore album. However, listeners can still hear their rock and roll
background in their classic riffs and feel good songs.
Most
of the Postelles’ self-titled album consisted of catchy 60’s style rock, to the
extent that when they played it live at shows, their fans were mentally taken
to a happier era and took to dancing in couples as if they were at the school
dance scene in Grease. When the
Postelles tour their new album, I wouldn’t necessarily predict couples dancing
but I can imagine satisfied fans bobbing along to the beat of each of their new
songs, which are still danceable enough.
One
of the most danceable songs of the new album is the single Caught by Surprise,
a very bass-heavy track that contains a synthesized melody, 60’s guitar riffs,
and fun rhythmic clapping. This song seems to be stepping away from the 60’s
and into the 80’s a little bit, but doesn’t deviate enough from the Postelles’
usual sound for it to be confused with any other band. Another extremely catchy
song off …And It Shook Me is Pretend
It’s Love, which could have easily been a single as well. The prominent bass
and the inclusion of refreshing guest vocals from indie singer Alex Winston are
proof that the Postelles are beginning to experiment with their sound and they’ve
never sounded this good. While guitarist David and bassist John usually provide
backup vocals for Daniel Balk, the Postelles went for a more gospel sound for
Running Red Lights, where Daniel is backed up by a group of female vocalists
over the band’s usual bluesy riffs. Their song You Got Me Beat is also the most
likely to end up on mainstream radio for its upbeat 80’s feel, and it almost
sounds like the Postelles have taken cues from former tourmates Free Energy. With their new album, the Postelles prove to listeners that
they have mastered the art of nostalgic vibes within modern music.
The
band has definitely evolved since their self titled album in 2011, seemingly experimenting
with the sounds of more than one decade for …And
It Shook Me. However, the Postelles have not lost their signature 60's
rock sound, and Daniel Balk’s vocals remain reminiscent of those of James
Mercer of the Shins. The Postelles are still producing catchy feel good jams without
being overly happy or poppy, this time preparing us for the upcoming summer. A
nice follow-up to their first album, …And
It Shook Me deviates from the band’s roots just enough to keep listeners
entertained.
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